Events in 2017
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I Got Rhythm Concert with Queen Elizabeth School Jazz Band
Tuesday 4th July 2017, Kendal Town Hall, 7pm Levens Choir joined forces with the celebrated jazz band from Queen Elizabeth School, Kirkby Lonsdale for a summer's evening of foot-tapping jazz numbers and standard favourites. |
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"It is greatly to Levens Choir’s credit that they rose to the challenge of the unfamiliar demands of jazz rhythms, accents and syncopations, to deliver, along with the QES Jazz Band, a memorable evening’s entertainment. It took the choir a number or two to get ‘in the mood’, but, perhaps showed the way by the Band, by the time we had ‘Skimbleshanks’ and ‘Swing Low’, there was even some swinging in the ranks! The tenor line in the former was delightfully articulated. The unaccompanied presentation of ‘Over the rainbow’ was characterised by a warm tonal colour and sumptuous blending of voices; Levens Choir on top form. Other highlights were ‘Ain’t Misbehavin’ and ‘S’Wonderful’, splendidly accompanied by Ken Forster, and ‘Summertime’ with a pleasing soprano solo from Faye Bowness.
We are all indebted to QES, Kirkby Lonsdale, for the musical opportunities provided there. Levens Choir are strengthened by many young voices from the school. A performance by six of them, with accompanist Olivia Smith, of ‘Bridge Over Troubled Water’ and ‘Super Trooper’ was lovely. And the school Jazz Band was a revelation. Filled with players confidently delivering solo passages on trumpet, saxophone and trombone, they really had got rhythm. They were driven along by their Director Gareth Leather on bass guitar and a brilliant percussion section who didn’t look old enough to be at high school. One wonders where their jazz instincts came from? Perhaps their mothers had visited New Orleans when they were still in the womb? The audience insisted the band gave an encore. We rocked out into the evening air to the sounds of ‘Boogie Woogie Bugle Boy’ all over again. Thanks and congratulations to all involved."
John Hiley
We are all indebted to QES, Kirkby Lonsdale, for the musical opportunities provided there. Levens Choir are strengthened by many young voices from the school. A performance by six of them, with accompanist Olivia Smith, of ‘Bridge Over Troubled Water’ and ‘Super Trooper’ was lovely. And the school Jazz Band was a revelation. Filled with players confidently delivering solo passages on trumpet, saxophone and trombone, they really had got rhythm. They were driven along by their Director Gareth Leather on bass guitar and a brilliant percussion section who didn’t look old enough to be at high school. One wonders where their jazz instincts came from? Perhaps their mothers had visited New Orleans when they were still in the womb? The audience insisted the band gave an encore. We rocked out into the evening air to the sounds of ‘Boogie Woogie Bugle Boy’ all over again. Thanks and congratulations to all involved."
John Hiley
Dixit Dominus Concert
Saturday 22nd April 2017
St Thomas' Church, Kendal
and
Saturday 29th April 2017
Lancaster Priory
Programme
James MacMillan, Missa Brevis
Samual Barber, Agnus Dei
Gyorgy Orban, Daemon Irrepit
G.F. Handel, Dixit Dominus
Review:
"An evening of exuberant music making by Levens Choir was enjoyed by a large audience in the wonderful setting of Lancaster Priory on Saturday. The standard of singing was high throughout the evening with the choir, under conductor Ian Jones producing both attractive melodic line and plenty of rhythmic attack. Levens are to be congratulated for encouraging so many young singers to join their ranks, gaining invaluable experience whilst adding a freshness of tone.
To begin the evening we enjoyed a lively piece by Gyorgy Oban, full of rhythmic excitement balanced by a typically Hungarian melody. Emily Robinson then performed the vocal gymnastics required by Vivaldi in his 'In Furore'. This was a skilled and confident performance, complimented by the musicianship of the orchestra under Roland Fudge, whose sensitive playing accompanied much of the programme. Kate Noble sang 'Bist du bei mir' by Stolzel with poise and control. The solos were interspersed by the choir's moving performance of Samuel Barber's Agnus Dei, more popularly known as the orchestral Adagio for Strings. Entries were confident and tonality secure in this more sustained piece.
The duet 'Laudamus Te' showed up a little incompatibility of the two solo voices, but this was more than redeemed in the beautifully judged singing in the De Torrente later in the programme. The first half ended with a Missa Brevis by contemporary Scottish composer, James MacMillan. This was a challenge well met by the choir. I especially loved the Sanctus with its lyrical tenor passage moving into a wonderful rhythmic crescendo.
The Dixit Dominus was a delight, with crisp articulation, and a good dynamic range. It positively danced along! The choir coped brilliantly with its considerable demands on their vocal agility, concentration and stamina. The audience was left breathless with admiration and delight."
Anne Pater
Saturday 22nd April 2017
St Thomas' Church, Kendal
and
Saturday 29th April 2017
Lancaster Priory
Programme
James MacMillan, Missa Brevis
Samual Barber, Agnus Dei
Gyorgy Orban, Daemon Irrepit
G.F. Handel, Dixit Dominus
Review:
"An evening of exuberant music making by Levens Choir was enjoyed by a large audience in the wonderful setting of Lancaster Priory on Saturday. The standard of singing was high throughout the evening with the choir, under conductor Ian Jones producing both attractive melodic line and plenty of rhythmic attack. Levens are to be congratulated for encouraging so many young singers to join their ranks, gaining invaluable experience whilst adding a freshness of tone.
To begin the evening we enjoyed a lively piece by Gyorgy Oban, full of rhythmic excitement balanced by a typically Hungarian melody. Emily Robinson then performed the vocal gymnastics required by Vivaldi in his 'In Furore'. This was a skilled and confident performance, complimented by the musicianship of the orchestra under Roland Fudge, whose sensitive playing accompanied much of the programme. Kate Noble sang 'Bist du bei mir' by Stolzel with poise and control. The solos were interspersed by the choir's moving performance of Samuel Barber's Agnus Dei, more popularly known as the orchestral Adagio for Strings. Entries were confident and tonality secure in this more sustained piece.
The duet 'Laudamus Te' showed up a little incompatibility of the two solo voices, but this was more than redeemed in the beautifully judged singing in the De Torrente later in the programme. The first half ended with a Missa Brevis by contemporary Scottish composer, James MacMillan. This was a challenge well met by the choir. I especially loved the Sanctus with its lyrical tenor passage moving into a wonderful rhythmic crescendo.
The Dixit Dominus was a delight, with crisp articulation, and a good dynamic range. It positively danced along! The choir coped brilliantly with its considerable demands on their vocal agility, concentration and stamina. The audience was left breathless with admiration and delight."
Anne Pater
Picture by Martin Grace
Sunday 26th February 2017, Lower Tatham Church
Music in Quiet Places Concert
During our annual concert series, we have the pleasure of signing in some beautiful venues and churches. This concert continues our series of Music In Quiet Places and is no exception.Taking place in the pretty church of Lower Tatham in Lancashire, the programme of choral music includes 20th century pieces by mostly British composers that take advantage of the church's wonderful acoustic.
Programme
John Rutter, Magnificat
James MacMillan, O Radiant Dawn
John Gardner, Dancing Day
Gyorgy Orban, Daemon Irrepit
Samuel Barber, Agnus Dei
Music in Quiet Places Concert
During our annual concert series, we have the pleasure of signing in some beautiful venues and churches. This concert continues our series of Music In Quiet Places and is no exception.Taking place in the pretty church of Lower Tatham in Lancashire, the programme of choral music includes 20th century pieces by mostly British composers that take advantage of the church's wonderful acoustic.
Programme
John Rutter, Magnificat
James MacMillan, O Radiant Dawn
John Gardner, Dancing Day
Gyorgy Orban, Daemon Irrepit
Samuel Barber, Agnus Dei
